Most good stories are about one problem. The audience wants to care about one big problem and follow it to its natural climax. What is the one problem my story is about?
Story structure is just a list of the steps and missteps most people go through when solving a large problem in real life.
If you start by afflicting your hero with a large problem and work forward from there, you will find yourself rediscovering the most common structure from scratch
The way to get from scene to scene is not to ask, "what does the hero do next?" but rather, "What is the next step in the progression of this problem?"
Take two very different types of characters and force them to rely on each other in a unique way.
What is the worst possible thing that could happen specifically to your character? whatever is worse for your specific character, make that happen, and you'll build your plot
Identify the plan, Central Action, and Central question of your story
What does the protagonist want?
How does he plan to do it?
What is the central question of the story?
What and who is standing in his way?
Once you've got your initial plan, you need to be constantly blocking that plan, either with your antagonist, or the hero's own inner conflict, or outside forces beyong his control.
The hero's plan will change, constantly as he first takes the absolute minimal steps to achieve his goal, and that minimal effort inevitably fails. So then, often reluctantly, the hero has to escalate or change the plan
The whole point of drama (including romance and comedy) is that the hero's plan is constantly being thwarted: by the main antagonist, by any number of secondary and tertiary opponents, by the love interest, by the weather, or by the hero himself
We can only care about your hero, not your plot. If your hero is a generic everyman who exists just to introduce us to your world or dazzle us with story twists, then you'll sabotage yourself. Your story exists to serve your hero; Your hero cannot exist to serve your story.
Defeating a random snow witch is hard to do. Defeating your sister is hard to want to do. That's the difference between an obstacle and a conflict
What urges does the story satisfy? give the people what they crave.
It was hilarious. Laughter
It was hot. lust
It rocked. Adrenaline rush
It was gruesome. Blood lust
It kicked ass power fantasy
It was so sweet. romantic fantasy
It was devestating. pathos
It was gorgeous. beauty
It blew my mind. cognitive dissonance
Ask yourself what experience you want your audience or reader to have in your own story, so you can build scenes that deliver on that promise.
Audiences hate it hate it when they're asked to identify with invulnerability
Making yourself vulnerable is heroic.
What makes my main character intersting?
I don't know. I haven't thought about any main character. I've just been having conversations with myself.
Now think about it. What makes your main character interesting, intriguing or unique?
I think my character is unique in that he was born in heaven and came down to earth not to save humans but to rule over them. But humans don't want angels to rule over them. They want another man to rule over them
What does my character represent?
My character is a metaphor for power. He came down from heaven with all his power. But humans have rejected devine power and instead focus on the power of money and politics
What character would be best for the story I want to tell?
I don't know what story I want to tell. I've just been having written conversations with myself, I would say, as a form of psychoanalysis. I don't think i've come up with ideas for stories from the conversations with myself
What character would best embody the virtues or ideals I want my story to represent?
I think an angel come down from heaven to rule the earth would represent the ideal power. Not power of money or politics or fame but angelic power.
What metaphor do I want to instill in my reader's subconscious?
I want my readers subconscious to come to the realization that having money is not real power but a personal conection with God gives real power.
How are my hero's actions unfairly judged or misunderstood?
This angels come down to earth to rule over humans. He heals them. He performs miracles for them if they will vote for him for president of the USA but his oponnent pounces on that. He tells the people this angel is bying their votes and why would they vote for angel? if he's a real angel why is he trying to be president over humans? why is he not in heaven?
What is the one problem my story is about?
My story is about this angel struggling to get humans to trust him to change their lives as their president. He performs miracles for them but that makes them trust him less. He turns Africa into Europe but blacks resent him for that.
What list of steps and missteps would the hero go through to solve his problem?
My hero, the angel, comes down to earth. He wants to rule over earth as president of the USA for all eternity. He performs miracles for people but they mistrusts him more. He feeds the poor in Africa and turns Africa into a superpower comparable to Europe and America but that makes Americans resents him. They tell him go be president of united Africa. He stops hurricanes from hitting the united states but people resent him more. He gets tired of doing miracles so he tries to go back to heaven but he can't go back to heaven. God has banished him to earth for all eternity.
How are my hero's actions unfairly judged and misunderstood?
I don't know
Come on now. Come up with something. You can't just have a conversation with yourself, you got to answer specific story related questions if you want to get published.
I know you're right, but I can't think of nothing right now.
Think of something. Think of multiple things.
okay unfairly judged or misunderstood. Unfairly judged or misunderstood. My hero overheard a plan to assisinate his family but when he went back home to explain it to his father, no one believes him.
My hero tried to cook A good meal for his pregnant wife but she ended up sick and almost lost the baby
My hero tried to save her friend from being gang raped but she was kidnapped and her friend got killed
Come up with more ideas. How are my hero's actions unfairly judged and misunderstood?
I don't know maybe I should move to the next question.
Most good stories are about one problem. The audience wants to care about one big problem and follow it to its natural climax. What is the one problem your story is about?
The one problem my story is about is finding out who killed the president's daughter.
The one problem my story is about is, stopping a killer before he kills again.
The one problem my story is about is, prosecuting the president for killing his wife, the first lady.
The one problem my story is about is,
Okay okay pick one and let's build for there.
The one problem my story is about is finding out who killed the president's daughter.
What is the next step in the progression of this problem?
Investagator Larry found out that one of the president's son had something to do with her sister's murder.
What is the next step in the progression of this problem?
The next step is to interview the son
What is the next step in the progression of this problem?
Larry tries to interview the son but the president forbids him from interviewing the son
What is the next step in the progression of this problem?
Larry tries to get a judge to give him a search warrant to search the son's room in the white house
What is the next step in the progression of this problem?
But the judge refuses to give a search warrant to search the son's room at the white house
What is the next step in the progression of this problem?
Larry sneaks into the son's room at the white house and gets caught by secret service.
What is the next step in the progression of this problem
Larry is barred from entering the white house.
What would be hard for larry to want to do
I don't know. If Larry found out that his daughter killed the president's daughter it would be hard for larry to do his job and send his daughter to prison. I would be hard to want to do the right thing.
how do I arrive at the moment larry finds out his daughter is the culprit?
I got to keep asking questions and answering it
What is the next step in the progression of this problem
What is the problem exactly and how is larry looking at both his son and his daughter as the murderer?